Skip to content

1. Introduction: The Rise of Collegiate Gothic

Blair Hall

Blair Hall

Other license.

View from northeast (photo from album, circa 1905)

Source: "Gray Album", c.1905 (Robert J. Clark), pl.7

The Rise of Collegiate Gothic

Although Princeton historians have tended to regard the presidency of Francis L. Patton (1888-1902) as a conservative interregnum between the more dynamic administrations of James McCosh and Woodrow Wilson, in fact, the Patton era witnessed the most significant development in Princeton's architectural history: the adoption of the Collegiate Gothic style. Wilson did pioneer the emulation of Oxbridge colleges and programs, however,it was Patton who oversaw the building of the structures that imitated, physically, the English models.

Typified by Blair Hall and Holder Tower...


Holder Hall

Holder Hall

Princeton University. Property of the Trustees of Princeton University.

Tower, viewed from west, with University Hall in foreground (photo before 1916).

Source: Princeton University Archives, Mudd Library, Grounds & Buildings, SP 4

the Collegiate Gothic style to a large degree still defines the architecture of modern Princeton. The spires and gargoyles that so entranced Fitzgerald, the arches used by the a capella singing groups, and the countless other symbols embedded deep in university's ethos all derive from this period.

To be sure, the fateful decision in the 1890s to abandon the High Victorian Gothic models of the 1870s and 1880s in favor of the Collegiate Gothic -- a decision that would dominate construction on the campus for four decades -- was hardly Patton's alone. The Trustees and influential members of the faculty such as Wilson and Dean Andrew Fleming West played a central role in advocating the new style. Indeed, Princeton's increasing self-perception as the New World heir to the Oxford-Cambridge tradition was perhaps the most powerful force.


Pyne Library

Pyne Library

Princeton University. Property of the Trustees of Princeton University.

View of arch and tower from west (photo early 20th century).

Source: Princeton University Archives, Mudd Library, Grounds & Buildings, MP 32

The rise of the Collegiate Gothic style begins with William A. Potter's Pyne Library (now known as East Pyne), the first explicitly Collegiate Gothic buiding at Princeton.


Little Hall

Little Hall

Princeton University. Property of the Trustees of Princeton University.

View looking southeast from railroad station (photo circa 1901)

Source: Princeton University Archives, Mudd Library, Grounds & Buildings, MP 49

It carries on through to the great cluster of buildings that Cope and Stewardson designed to create a western wall for the campus: Blair, Little, ...


University Gynasium

University Gynasium

Princeton University. Property of the Trustees of Princeton University.

View from east (postcard, circa 1915?)

Source: Princeton University Archives, Mudd Library, Grounds & Buildings, SP 3

and the University Gymnasium.

There are other aspects to this story as well. For example, what message did Princetonians of the 1890s believe that Collegiate Gothic architecture sent about their university's place in academia? How did this style affect campus planning and the siting of new buildings? Combined with the histories of the individual buildings, these factors when woven together tell the tale of Princeton's transformation into the most "collegiate" of all American university campuses.